This week, watch a collaboration between deep learning and human creativity produce something far more coherent than Sunspring. And check out an animation on the pitfalls of emotional intelligence.
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The fact that creativity does not follow computational rules may well be a ceiling for machine writing and it is not made of glass.
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The Bradley Center hopes to have a similar effect by promoting more general knowledge of fundamental issues around “thinking computers and the real effects of technology on human well-being.
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Not only is it valid to ask whether artificial intelligence is impossible but the argument can be pursued on a scientific basis with quantifiable, empirical evidence.
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I am publishing, in three parts and with his permission, an exchange with Querius, who is looking for answers as to whether computers can someday think like people. In the first part, we discussed why human thinking cannot be indefinitely compressed. Here is the second part: Recapping for myself what I said in Part I and mulling it over: “If all symbol strings do have a shorter representation, then so must their shorter representations. Thus, we’d end up concluding that all symbol strings can be represented by nothing, which is incoherent.” Wait, I’m getting lost. “Therefore, we conclude that only some symbol strings have a compressed representation. As a consequence, compression intelligence is only true if the physical effects of Read More ›
If an algorithm that reproduces human behavior requires more storage space than exists in the universe, it is a practical impossibility that also demonstrates the logical impossibility of artificial intelligence.
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One of the factors contributing to fear of AI is the Frankenstein Complex.1 The term, coined by sci-fi writer Isaac Asimov2, originally described fear of the “mechanical man” in the science fiction of old. The complex is named for the young scientist, Dr. Victor Frankenstein, protagonist of Mary Shelley’s 1818 novel Frankenstein, or The Modern Prometheus. He stitches human body parts together to create a monster. There is no AI in the story; he brings the monster to life based on an intelligence that was assumed to be resident in biology. “Frankenstein’s monster” later came to be called simply “Frankenstein.” Thomas Edison first filmed the story as a silent movie in 1910 but Boris Karloff’s depiction of the monster in Read More ›
Creating art begins by fully absorbing what makes art good and then extrapolating outward. AI selectively absorbs and “creates” by remixing what’s left. Thus AI is the perfect kitsch creator
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Love, Death, & Robots is rather ambiguous. Perhaps a more descriptive title would be Blood, Butts, and Some Sci-Fi Thrown In.
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He worries about something quite different from the usual robots-are-coming scare: “It is entirely possible that we will come to treat artificially intelligent machines as so vastly superior to us that we will naturally attribute creativity to them. Should that happen, it will not be because machines have outstripped us. It will be because we will have denigrated ourselves.”
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Looking for a good “robots, AI, ‘n sci-fi” fix to round out your weekend? Mind Matters has you covered for animations and shorts. For starters, check out DUST, a YouTube channel dedicated to short sci-fi. Its recent AI WEEK (February 11–18) offered “A collection of curated short films dedicated to artificial intelligence and its connection with humanity.” When I say “short,” I mean that the longest is about 30 min; the others are much shorter. So if you have just a few minutes to kill while downing a bowl of spicy curry ramen, I would recommend giving them a watch. For AI narratives, they’re not as clichéd as you might fear. Sunspring | DUST AI Week Runtime | 8:15 Cleanliness Read More ›
From homeschooled teens to high-tech entrepreneurs to retired doctors to University of Texas students, Christ Church was full of Austinites trying to understand what the rapid growth of AI technologies means for their future.
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The advantage of adding talk of evolution to transhumanism is that it turns a perennial tale of immortality just out of reach into a chronicle of inevitable ascent, like the fabled “Ascent of Man.”
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Those who control a new communications technology typically have a great advantage over those who don’t—whether that technology is an alphabet, an abacus, a printing press, a telegraph, a telephone, or a software communications program.
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Zoe is a great film but it presents a storyline often used to show how inexplicable and ineffable love is in order to get me to believe that it isn’t.
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Software programs will not have more or better ideas than the people who designed them. As the audience for news, we must decide whether that level of information is all we need to know.
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Season 3 seems like a good time to weigh in on the show’s overall audience appeal, level of materialist dogmatism, and vision of the future of AI.
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There are plenty of roads on which to test and tune the self-driving cars, but there are not a lot of wars available in which to test and tune autonomous AI weapons. If we seek military superiority to deter aggression, imaginative and creative minds are needed to assess all possibilities.
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Not only is it valid to ask whether artificial intelligence is impossible but the argument can be pursued on a scientific basis with quantifiable, empirical evidence.
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My primary reason for doubting that AI can match human intelligence is that the difference between mind and machine is a difference of kind, not of quantity. Understanding the distinction will help us exploit the abilities of each to their maximum potential.
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