It’s true that many people who are attracted to science fiction feel like outcasts or disconnected from mainstream popular culture. And many of them feel welcome, loved, accepted, and validated in the sci-fi community. Does that really make them narcissists?
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Why does Picard seem to be obsessed with Commander Data? And what happened to The Federation? Star Trek fans are quick to point out that Star Trek: Picard takes an unnecessary malevolent tone towards The Federation. Why do the Romulans look different? I’m still watching but I’d like some answers.
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Season 4 is, as critic Zac Giaimo notes, integral to character building and plot development for the overall series. I gave it 9/10 in an earlier review. However, I don’t know if I completely agree with Giaimo’s Amazonian optimism. Season 3 set up urgent questions that should be answered by the end of the show, preferably beginning in Season 5.
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Not only was Jean-François Bonnefon’s paper rejected by conventional anti-plagiarism software but the rejection didn’t make any sense. Bonnefon, research director at Toulouse School of Economics, was informed of “a high level of textual overlap with previous literature” (plagiarism) when he was citing scientists’ affiliations, standard descriptions, and papers cited by other—information he was obliged to cite accurately, according to a standard format. “It would have taken two [minutes] for a human to realise the bot was acting up,” he wrote on Twitter. “But there is obviously no human in the loop here. We’re letting bots make autonomous decisions to reject scientific papers.” Reaction to the post by Dr Bonnefon, who is currently a visiting scientist at the Massachusetts Institute Read More ›
Seeing the Star Trek universe from a different perspective—that is, not from the interior of a starship—was super refreshing and rewarding. It gives viewers a unique look at what day-to-day life is like for other people (much as The Mandalorian did for the Star Wars universe).
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Maybe both. AI will require more from us, not less, because how we choose to use these tools will make an increasingly stark difference between benefit and ruin.
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Bridge is one of the few games where computer algorithms have not yet demolished the best human players but, despite claims to the contrary, algorithms do a much better job of random shuffling of the deck.
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Unlike Catherine, Samantha is exactly what Theodore was looking for. No surprise there; Samantha is, literally, adjusted and updated according to Theodore’s preferences from when he initially began speaking to her. She exists only to be Theodore’s soulmate. Is that enough?
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AI does pose at least one threat to filmmaking. It could intensify the very tone-deafness that studios hope it can fix: Too much reliance on ever more finely grained analysis of the patterns in past data could blind decision makers to the real risks, volatility, and opportunities in the future. That’s a recipe for losing money and inflicting “Oh, not that again!” on audiences.
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Cinelytic’s AI does is what every AI does at its most basic level. It collects and sifts large amounts of data to find patterns that can be used to make predictions. AI excels at pattern recognition because that is its only purpose. Humans aren’t so linear or predictable.
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If I could rewind time a week and add a piece of 2019 sci-fi to my list of the year’s Best and Worst Sci-Fi TV, I would add Netflix’s Lost in Space, Season 2—which came out just after I had published. Let's fix that now.
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In 2019, I fell out with Netflix. I felt bombarded by more and more edgy content, as though Netflix wanted me to know how “adult” it is. Rather than producing a few amazing originals, Netflix started vomiting up a ton of terrible originals.
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In reality, without appropriate human supervision, AI is just as likely to find false or unimportant patterns as real ones. Additionally, the overuse of AI in science is actually leading to a reproducibility crisis.
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AI programs are just that—programs. Nothing in such a program could make it conscious. We may as well think that if we make sci-fi life-like enough, we should start worrying about Darth Vader really taking over the galaxy.
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One factor in the growing sobriety may be that, as AI technology transitions from dreams to reality, the future belongs to leaders who are pragmatic about its abilities and limitations.
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As a humanoid robot, Sophia certainly represents some impressive engineering. It is sad that the engineering fronts ridiculous claims about the state of AI, using partially scripted interactions as if they were real communication.
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I love the deep mystery surrounding the show’s central narrative device, the proto-molecule. It is somewhat sentient and is desperately trying to figure out what happened to the civilization that created it and was then wiped out while it lay dormant in our solar system for millions of years.
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It’s the saga of a ship of scientists making their way through the cosmos to unlock the secrets of a mysterious entity known as Volcryn. It turns out that Volcryn is not the only mystery; the Nightflyer holds many of its own secrets.
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AI can speed up translation of ancient documents where only a few scholars know the language. Whether it can help with mysterious unknown languages like Minoan A is another question.
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It’s not that I cannot cycle or that I don’t like to or that I’m not good at it (for a human). But just the other day, as I pedaled along, I was passed by a motorcycle. Its speed was incredible! I appeared to be pedaling in place as the machine zoomed into the distance. In that moment, it became all too clear that my days as a meaningful human were ending. The machine was my better. Okay. That is not true. I am not going to quit cycling. And, being passed by a motorcycle—a machine we built purposely to go faster than anything our two legs can achieve—is not a meaningful measure of my prowess as a cyclist. Many Read More ›