Even in the world of theatre, from the ancient Greeks to contemporary drama, tragedy plays a profound role in defining Western civilization, while evoking sadness and joy resulting in catharsis in audiences.
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It’s too soon to tell where AI Hollywood will fall between a predicted Armageddon and a Golden Age. But Emanuel’s opinion would surely be important to know.
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A couple of days ago, I chanced upon a trailer for the live-action version of How to Train Your Dragon. The original film, based on the book of the same name, premiered in 2010 and follows the heartfelt adventure story of a young Nordic lad, Hiccup, and his friendly dragon Toothless (who does, in fact, have teeth). The original movie got great reviews and remains one of my personal favorite animated films. It has memorable and funny characters, a good storyline, and is well animated. So why do we need a live-action version of the movie? A Loss of Originality Disney led the charge with its realistic remakes with live-action representations of Beauty and the Beast, Lion King, and Cinderella, Read More ›
We no longer talk about mainstream entertainment swallowing art. Now, distraction is swallowing both entertainment and art.
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The first time I watched Westworld, I remember enjoying it, but upon revisiting the series, my opinion of it has dropped a great deal. There are a variety of problems. First, it’s a bait and switch. It teases the idea of showing how robots can come to life, and it plays with your expectations for most of the series. It even goes as far as to discuss theories like The Bicameral Mind, and The Turing Test. Then, in the last episode, it confirms what the viewer has been slowly growing to suspect. The robots had been coming to life the entire time, and Ford had been wiping their memories. The show says that Ford programmed the robots to experience everything Read More ›
Despite the actors’ strike, which was announced last Thursday, “The Chosen” series applied for a waiver and was granted quick approval. The show, which details the historical account of Jesus Christ and his band of disciples in ancient Israel, will resume filming this week. The news comes amid massive pushback against Hollywood. Actors, producers, and stunt-performers are joining the Writers Guild of America (WGA) and critiquing the movie industry for unfair wages and for failing to duly reckon with the threat of artificial intelligence (AI). Many blockbuster TV franchises will shut down production, after already being majorly delayed from the initial WGA strike, which began in early May. The cast for “Oppenheimer” left the film’s London premiere early in apparent Read More ›
In a historic moment, over 160,000 TV and movie actors are joining scriptwriters in a Hollywood walkout, per the New York Times. The Writers Guild of America (WGA) initiated a strike in early May, demanding higher pay while expressing concern over the increasing role of artificial intelligence in TV writing. Now, actors are joining in with similar dissent. Brooke Barnes reports, The eyes of the world and, particularly, the eyes of labor are upon us,” Fran Drescher, the president of SAG-AFTRA, said. “What happens to us is important. What’s happening to us is happening across all fields of labor. When employers make Wall Street and greed their priority and they forget about the essential contributors who make the machine run, Read More ›
The writers’ strike in Hollywood continues. In May, the Writers Guild of America started protesting low wages and the potential threat of artificially generated scripts. Large Language Models (LLMs) have only improved in generating text, raising concerns among writers. However, according to an insightful article from Auguste Meyrat of the Acton Institute, Hollywood has been developing a culture that welcomes AI-generated content with its tendency to pressure writers to fit a formulaic narrative structure instead of encouraging them to pursue real creativity and collaboration. Meyrat writes, All this virtually guarantees the use of AI-generated screenplays. After all, if producing a movie is now effectively the same as producing a widget on an assembly line, the human element can be dispensed Read More ›
The movie Poor Things, starring Emma Stone, Willem Dafoe, and Mark Ruffalo, is the story of an “unorthodox” scientist who brings a girl, Bella Baxter (Stone), back to life. Baxter must learn how to navigate the world given her unwieldy demeanor and the uncoordinated connection between her brain and body. It looks to be a pretty close re-interpretation of Mary Shelley’s classic science fiction novel Frankenstein. Whether it will get even close to investigating Shelley’s key questions and insights remains to be seen, of course. Interestingly, the scientist (Dafoe) has a deformed face that looks like it was stitched together piece by piece, similar to popular renderings of Frankenstein’s monster. You can watch the trailer here:
Deepfakes are a growing threat to acting careers. It’s the other challenge posed by generative AI technologies. In early May, the Writers Guild of America (WGA) began a strike in Hollywood opposing both low wages and the intrusion of generative AI like ChatGPT, which critics purport will be used to replace human writers. The strike illustrates the current threat to the Hollywood writing industry, but the looming deepfake apocalypse calls the role of the actual actors into question, too. Tom Hanks jokingly noted that long after he’s gone, AI-generated versions of him will star in films far into the future. Maybe his remarks weren’t so comical after all. While deepfakes, upon close inspection, can be identified, they appear to be Read More ›
The sequel to the 2018 animated Spider-Man: Into the Spider-Verse arrived in theaters last Friday and scored over 120 million dollars over its first weekend. Actor Tom Holland, who played the web-slinger in the latest live-action interpretation, called Into the Spider-Verse the best Spider-Man movie ever made in a recent interview. And that’s coming from Spider-Man himself! I saw the movie over the weekend, and wow, I can say that it’s one of the most visually interesting movies I’ve yet to witness. Like its precursor, Across the Spider-Verse is like watching a live-action comic book; the animators never shied away from the overtly cartoonish. It’s a non-stop riot of color, action, and adolescent angst, and I’m totally here for it. Read More ›
Last time, we began talking about the movie Her, a story of a man falling in love with his AI and compared it to the abysmal season three of the Orville. Unlike the Orville, which insisted that the viewer take the romance between the robot and the human seriously, Her treats the subject as a what-if scenario, playing the whole situation straight and letting the viewer draw their own conclusions. Theodore had just finished uploading the AI onto his computer, which called itself Samantha, and was impressed by how human-like the operating system seemed. Samantha begins organizing Theodore’s computer and helping him around the office, but it doesn’t take long for a romantic relationship to develop between them. When Theodore Read More ›
AI does pose at least one threat to filmmaking. It could intensify the very tone-deafness that studios hope it can fix: Too much reliance on ever more finely grained analysis of the patterns in past data could blind decision makers to the real risks, volatility, and opportunities in the future. That’s a recipe for losing money and inflicting “Oh, not that again!” on audiences.
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