AI can replace screenwriters only if you are content to see the same-old same-old every day forever. That’s true no matter who owns the technology.
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English professor Yohei Igarashi, author of The Connected Condition: Romanticism and the Dream of Communication (2019), contends that writing can mostly be automated because most of it is predictable: Instances of automated journalism (sports news and financial reports, for example) are on the rise, while explanations of the benefits from insurance companies and marketing copy likewise rely on machine-writing technology. We can imagine a near future where machines play an even larger part in highly conventional kinds of writing, but also a more creative role in imaginative genres (novels, poems, plays), even computer code itself. Yohei Igarashi, “The cliché writes back” at Aeon (September 9, 2021) Currently, humans’ ability to guess whether it is machine writing, he says, is only Read More ›
Many researchers hope that AI will leading to a“golden age” of discovery for lost languages, hard to decipher writings, and badly damaged Biblical scrolls. Algorithms can chug through vast numbers of possibilities of interpretation, presenting the scholar with probabilities to choose from. But even powerful algorithms have their work cut out for them. For example, of the hundreds of thousands of clay (cuneiform) tablets that survive from an ancient part of the Near East called Mesopotamia, many are damaged. We may know the language but we don’t know what’s missing from the text and what difference the missing part makes to what is being said. Experts try to fill in the missing parts but guessing at all the possibilities is Read More ›
Predictive text analyzes what was written and guesses what comes next. Whole sentences, paragraphs, and essays. Seabrook tested it on his own work…
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