“E-X-T” by director Adrian Bobb (Uploaded at DUST August 2, 2021, 7:38 min)
“200 years after humanity has abandoned the real world for a digital one, the system’s most talented security agent is forced out of retirement to recruit and lead a team of talented warriors to eliminate a threat from a world no one has seen for centuries. The real world.”
Further: “In the snow-covered ruins of 24th century Toronto, AEGIS, a humanoid war machine, leads a team of five similar yet unique machines into the EXT, the new real-world to retake an enemy-occupied server installation vital to the survival of their digital homeland.
During an attempt to ambush a large pack of enemy-controlled war-drones, AEGIS recalls an interrogation with the enemy’s founder, an extremist named KYM MINAMOTO…AEGIS’s mother.
As AEGIS fights for her life in the real world, she recalls the emotional fight for her identity in the INT, her digital homeland as she and her mother argue over the true nature of humanity and AEGIS’s role within it ”
Review: E-X-T debuted in 2019 (IMDB). The premise is at once curious and familiar to any crisis counselor: The real world has become the enemy threatening to invade.
But in the story, the real world is portrayed as the baddie, trying to destroy billions of digital human beings. Digital Aegis tells her mother Kym, “We are human and we will do our best to protect humanity, no matter the form it happens to take.”
But, of course, that raises a question. If the new humans are only digital (“no matter the form it happens to take”), are they actually human beings? Or are they just someone’s idea of human beings?
Say what you want about natural parenthood, a baby is not just a program that Mom and Dad wrote. But, unlike natural human beings, digital humans are indeed programs that someone wrote.
And if Aegis has been digitized and is now a program, in what sense is her mother even her mother? In what sense is she even a self?
Unfortunately, the “Accept us!” rhetoric of Aegis’s proud declaration is not enough to silence these fundamental questions. The theme is good but it could use a longer, more exploratory treatment.
Cara Gee (Aegis Minamoto) and Zoe Doyle (Kym Minamoto) make a good conflict dialogue pair.
Films reviewed are sorted roughly by length so you can choose films based on how much time you have, as well as interest.
Five minutes or less
Would you become an animal to save a species? The animation is good and the question raised is interesting. “Floreana” looks at a world where we become the animals we are trying to save .. Would it work?
A choice between saving one’s child and oneself Is life always so simple? Well, we shall see. (4:58 min) Zoe is a pleasant summer view with a happy ending. Well done technically and the actors are veterans. Some questions remain.
Fenestra, the aliens land in a domestic drama. As the alien ships loom worldwide, the cheating boyfriend thinks he can just come back… At under four minutes, Fenestra gives all the elements of a good, lean story against an alien invasion setting.
What if the future does not include smarter people? Comic scenes would dot the aerial landscape, dispelling the usual earnestness of sci-fi films. A brief sci-fi diversion like “Floaters” (4 min) reminds us that cluelessness is not a problem we can just solve or should even try to.
“This planet is not in our co-ordinates.” (3 min) A space courier crew gets a surprise when delivering a mysterious machine to a strange planet. One could almost see something like “McPherson’s Toys” happening, as an office gag, but 500 years from now.
What if an old man could see his mother again? (4:02 min) “Bygone” is a hard film to watch if you lost a loved one recently, but worthwhile. The old man is paying to use his own memories, retrieved via neuroscience imaging.
Can video games save a lone survivor? (3:51 min) “High Score” features fine animations of apocalyptic scenes of post-civilization. The “game” that turns out to be an existential struggle usually benefits from a longer treatment but the animation is well imagined.
Rescuing lost people. (5:41 min) Animated, in French, with English subtitles, but don’t let that deter you. The professional relationships in “Protocole Sandwich” sound pretty real and make it worth the watch. The animation is very good.
Ten minutes or less
When sci-fi gets earnest about colonization (7:12 min) Worth seeing but we never get to find out who the characters are fighting or why some treaty could not be arranged. The “Ripple Effect” looks at rebellion against the colonization of a new planet but the production values create more interest than the intellectual content.
Human psychology in a world without water. (8:05 min) “Oasis” was filmed as a response to the Capetown Water Crisis of 2018. Good short film — but one can take the “empowered woman” thing too far. That probably doesn’t really work in a desperate struggle for survival.
What happens if Earth passes through a black hole—Sci-fi Saturday (5:36 min) This story isn’t exactly about passage through a black hole: It is a meditation on nothingness that crashes headfirst into nihilismThe film prompts thought about why anyone should believe that there is no underlying order behind the universe. It seems obvious from the artwork that there is.
Killing people for “Likes” on an alien planet: Sci-fi Saturday If only this crisp tale didn’t sound so much like the social media we actually know (8:06 min) “Happy Hunting” follows a social media influencer who murders doomed people to break an online record — and then faces a final, fatal choice.
What if a loved one aged much faster than you? – Sci-fi Saturday It’s one of the implications of faster-than-light travel (8:19 min). Should youthful Cpt. Bernhard take her now very old husband to the new Earth, Gaia? That’s the emotional and ethical dilemma in ARK.
“Are we alone?” asks a new sci-fi short. But then why?
In “Laniakea,” we are introduced to a civilization’s – museum? Or what is it? An intriguing Sci-fi Saturday. The underlying idea of Laniakea is a serious thesis in astrobiology: Extraterrestrial civilizations die out unless they adopt an unconventional solution.
If it’s real, it must be endured. – Sci-fi Saturday “It’s Okay?”, using futurist technology, takes a woman back through her time with someone she loves. This short sci-fi film plays around with time — and neatly and deftly avoids the common shortcoming of becoming just plain confusing.
In “No Guarantee,” brain uploading proves costly. In a ruined mid-21st century Britain, a couple gains tickets to a virtual world — if their brains can be uploaded. But can they? In this very short film, the theme of escape by brain uploading is handled in a refreshingly mature way with characters who face serious choices.
When “The Workplace” is anything but (9:32 min) The short film starts with a woman reassuring herself, unsettlingly, “I AM the boss.” This sci-fi short will appeal to many who have had a job at the corner of Rat and Race and sense that’s a blessing compared to the alternative.
When virtual friends are a real addiction (5:31) Animated short “Best Friends” begins with the thirtieth birthday party of a rather glum young man. As is the way with addicts, our hero cannot use his futurist fix for loneliness responsibly and ends up doing desperate things.
Watch what you wish for. There IS a tomorrow! (5:01) Carl, a lonely guy, is determined to proceed through the warning and try the Luvsik procedure, to make him fall in love at first sight. The short film features strong performances by Momo Dione and Samantha Lester, and the surprise ending avoids cliché.
We have met the aliens and they are… comb jellies. (8:15 min) The alien life form, when it appears in “Seedling,” is very well imagined. Definitely watch it for the sense of isolation when our technology bubble evaporates and for the “comb jelly” space alien.
The disabled robot vet in “A Robot Is a Robot” gets a job grooming cats. (5:49 min) Definitely worth your five minutes, in part in order to see what cartoonists can do in sci-fi with animated stills. In a research paper, Max Planck scientists recently concluded that it is not possible to hobble the danger from intelligent AI. This film offers a good illustration.
A girl with kinetic powers faces a choice. (5:06 min) Should she help relatives with activities she knows to be wrong? “Kinetic” is well executed but it breaks a fundamental rule of science fiction: There must be a clear science basis for the story premise.
A fight for the winning ticket (7:35 min) In “Here comes Frieda,” in a 2040 superstorm, engulfing the planet, a young woman gets hold of a ticket out. But does the way out really exist? Or is she just hanging on and clinging to a fragile hope?
What if there were serious wars over clouds? (9:41 min) In a world that still has technology but is desperately short of water, such wars could happen. The short sci-fi film “Oceanmaker” features pirates who steal precious water from the clouds and a pilot who challenges them.
“Kiko”: A great short but key questions unanswered A lonely retail service robot longs for a world beyond her store. (9:21 min) An agreeable short but it never addresses the question of how Charlie acquired a robot that would “want” something different from its programming.
Fifteen minutes or less
When emergency services are run by AI … (14:38 min) It’s not just that AI doesn’t care; it can’t. And that shows. In “Stuck,” a young woman in a mine accident far from Earth navigates confusing advice from bots to free herself.
What if your AI started to talk like a human? — Sci-fi Saturday Should you just shut it down and leave the building? And not tell anyone? “Intelligentia” features strong performances and provides a good introduction to the Turing Test (how would we know if a machine had achieved consciousness?)
Landing back on Earth as the sole inhabitant — unless we count the cat (12:24 min) In “Origin,” an astronaut from an interstellar colony explores the effects of deadly radiation on Earth.
When the human race is down to its final offer … The aliens want Earth’s oceans (have they wrecked their own?) and now the fate of Earth turns on a single question: Is Henry really the world’s worst lawyer? (11:23 min) The downbeat human lawyer and the alien corporate lawyer in Final Offer achieve artful comedy by the too-little used technique of comic dialogue, not gags.
What would the ruins of “Eden” be like? — Sci-fi Saturday (11:51 min)
Scavenging for artifacts on a ruined planet, a space drifter comes across the ruins of a high-tech civilization. The derelict remains of an advanced civilization are sobering — picture our own civilization looking like that.
In a Future Market, Time To Live Is Bought, Sold (10:57 min) An employee wants to rebel against the greed and injustice but then she would run out of time … “The Bargain” raises some issues — as a thought experiment — that appear in real life in the illegal organ trade
What if insects could put humans on trial? (11:11 min) In Science+, a shrunken inventor finds himself facing Ant Justice. In a comic turnabout, the ants, seen face to face, turn out to be roughly like people, of whom — Matt discovers — he has killed nearly 3500.
Why you do NOT want to duplicate yourself. “The Unboxing Video” offers philosophy as well as dark comedy around the question of what being “oneself” means. A lonely guy, filming himself unboxing his new android replicant, discovers how hard he is to live with when there are two of him. But can he return himself?
Could stored memories bring back the dead? A nerd sees a way to bring back his friend Adam from Adam’s girlfriend’s memories (11:45 min) In Adam 2.0, the quest to bring back a dead friend from memory turns on a central question about the nature of human identity.
The artist’s android has a surprise in store for him… He makes the fateful decision to allow her to depart from her programming during a crisis. In “Muse,” the gradually humanizing android Kay raises some interesting ethical and philosophical issues about being/becoming human.
What if a new start in life were two pills away? (14:23 min) Would you feel the same about suicide? In “Cam Girl,” a woman whose life is going nowhere, largely by her own choice, learns what it means to be genuinely desperate.
In a world run by robots, a bot becomes a joker (13:12 min) The dull, dystopian atmosphere of an Australia dominated by robots, portrayed in “System Error,” is well done and worth the watch. The story prompted this viewer to consider what thoughts a robot simply couldn’t have without some kind of input from consciousness — always the Hard Problem.
Can an alternative universe save a lonely girl? (14:05 min) A girl finds fighting space aliens easier than fighting a brain haemorrhage and a sense of guilt. CARONTE ends as it must — not happily but inevitably, and with at least some sense of redemption.
A future where dreams have been privatized (14:26 min) Unfortunately, the dream Carlos wants in “I Dream” is to see his missing family again and that’s illegal … More dystopia than science fiction but the post-5G surveillance environment amid mass poverty and oppression is well imagined.
What if sweet sleep were a distant memory? (14:51 min) In a world going mad in “Don’t Forget To Remember” and dying from insomnia, a young woman may have a cure. The big challenge in writing about insomnia is not to be a cure for it. From the harrowing opening scene on, this film certainly clears that bar.
An asteroid lingers near Earth and devours time (13:23 min) Or, at any rate, it devours our perception of time, as one man discovers in “Flyby.” As the asteroid Chrono-7 hazes Earth, a man wakes up in the morning to find that he is living in his future, one he had never imagined.
In “This Time Away,” a robot helps an old fellow rediscover life (13:24 min) The robot is very well done and how he gets a name is charming. Lots of people abandon their elderly relatives, of course, so finding a helpful robot in the back yard is a pleasant fantasy.
Terrified by a Scrap Monster (11:09 min) Well, if you have never been terrified by a Scrap Monster, as in “Pinki.” you are clearly missing out. It’s fun watching a middle class South Korean business executive try to cope with the Scrap Monster. Perhaps an allegory of our big environment issues.
What if next-stage evolution children appear? (13:44 min) “Vikaari,” a sci-fi short from Sri Lanka looks at the possibilities. The story is very well done as a parable of the social risks of continuous internal warfare.
Can parents get back a dead child as an android? (14:10 min) In “Article 19-42,” they aren’t even united in their grief; they just think they must “do something” to get back a facsimile of what they remember. They have no philosophical or spiritual resources to fall back on in order to avoid this dead end.
The robot tries to learn about grief (13:37) In “Rewind,” an elderly woman buys a robot to help her when she finds herself all alone, due to tragedy. Investigating the woman’s unhappiness, the robot discovers more than it was, perhaps, intended to know.
“Speed of Time” at DUST (12:19 min): A computer nerd writing a pizza delivery program discovers that his work is way more important than he, or anyone, thought. Imagine what happens when an accomplished ground warrior busts in from another time on a quiet family at the breakfast table…
Twenty minutes or less
When you are the only human left— Sci-fi Saturday. Are you the only human left alive or are you the only one who is not alive? (16:19 min) In “Martha,” the stark reality of two girls on the brink of eternity slowly seeps into the viewer’s imagination.
A one-girl war with the total surveillance state —Sci-fi Saturday (17:24 min) The acting, ambience, and special effects in “Bolero” are top quality. “Bolero” tackles the pressing topic of total government surveillance, imagining it in the United States. But it is an everyday reality in China.
Could you be reconstructed from your memories? Sci-fi Saturday If you were, would destroying the digitized “you” be murder? (15:46 min) “The Final Moments of Karl Brant” is an intriguing sci-fi murder mystery crossover that raises intriguing philosophical discussion points.
When terraforming Mars means “Mars”-forming people. (19:14 min) In this award-winner, the underground humans must, according to the terraforming colony’s rules, deny emotion, which pretty much guarantees a story. The “New Mars” colony embodies a contradiction: The alleged better world created by “science and logic” can’t accommodate the nature of humans.
Can a Robot Find a Better Planet Than Earth? (19:31 min) The trouble is, the robot in “Avarya” is governed by Isaac Asimov’s three laws of robotics. After 55 habitable planets, the—by then very old—fellow is beginning to suspect something about the robot’s judgment…
“Alone” at DUST. (18:49 min) Space engineer Kaya Torres, the only survivor of a black hole, contacts an “interstellar penpal” to keep her company until she dies. She manages a desperate escape but then experiences one of the astonishing implications of time travel.
Twenty-five minutes or less
“Limbo” profiles a futurist approach to punishment (24:21). The convict must live in a vision, induced during a coma, as the victim (or bereft loved one), in an attempt to rehabilitate him by teaching empathy. For one innocent convict, it’s a nightmare of incomprehensible suffering, from which friends stage a rescue attempt.
Can we live in more than the present moment? (24:42 min) When a tech entrepreneur succeeds with time travel, he gets trapped in his own past errors. In “Container,” the time traveler is locked inside his lab and can only get out by repeated, dangerous efforts to go back in time to when the door is unlocked.
“The Beacon” (25:10 min) at DUST. Refreshingly realistic, especially the harrowing Arctic encounter where the grieving husband finds out what really happened. Not to be missed is Mark’s encounter with the bureaucrat from hell.
Forty minutes or less
“The Big Nothing” melds sci-fi and whodunit in a taut drama. (37:54) The combination of the sci-fi and detective genres takes some skill to pull off but this Australian crew succeeds. Arriving at a mining station near Saturn, Detective Lennox must interview three suspects in the captain’s murder. All have motives. Who is lying?