In “The Oceanmaker” (9:40 min, January 20, 2018) by Martell Animation, “After the seas have disappeared, a courageous pilot fights against vicious sky pirates for control of the last remaining source of water: the clouds.”
The animation is well done. But character questions arise.
The unnamed pilot seems very nervous. She succeeds in fighting off the water pirates who have clever methods for capturing the world’s remaining water from a remaining cloud. But it’s not clear why she is cast in the role. There are people out there who are much more comfortable with conflict.
It’s also unclear why, in a devastated, waterless world, all that technology is still available (what about food, fuel, etc.?)
However, the nice thing about a very short film like this (compared to, say, a novel) is that such questions don’t necessarily demand an answer. With a novel, by contrast, the author had better answer them by Chapter 3. In a film, within the first 20 minutes.
Trying to avoid spoilers here, there is a mystical element to the story; the pilot succeeds in restoring at least some rain but only at a very high cost. It is almost as if she knew… maybe that is why she was nervous?
Other reviews from the “We are but DUST” files:
Sci Fi Saturday: Can video games save a lone survivor? The film features fine animations of apocalyptic scenes of post-civilization. The “game” that turns out to be an existential struggle usually benefits from a longer treatment but the animation is well imagined.
Sci Fi Saturday: Can a Robot Find a Better Planet Than Earth. The trouble is, the robot is governed by Isaac Asimov’s three laws of robotics. After 55 habitable planets, the—by then very old—fellow is beginning to suspect something about the robot’s judgment.
Sci Fi Saturday: Kiko: A great short but key questions unanswered A lonely retail service robot longs for a world beyond her store. An agreeable short but it never addresses the question of how Charlie acquired a robot that would “want” something different than its programming.
Sci-fi Saturday: What if next-stage evolution children appear?A sci-fi short from Sri Lanka looks at the possibilities. The story is very well done as a parable of the social risks of continuous internal warfare.
Sci-Fi Saturday: Can parents get back a dead child as an android? They aren’t even united in their grief; they just think they must “do something” to get back a facsimile of what they remember. They have no philosophical or spiritual resources to fall back on in order to avoid this dead end.
Sci-Fi Saturday film: The robot tries to learn about grief An elderly woman buys a robot to help her when she finds herself all alone, due to tragedy. Investigating the woman’s unhappiness, the robot discovers more than it was, perhaps, intended to know.
Sci-Fi Saturday film: “Speed of Time” at DUST A computer nerd writing a pizza delivery program discovers that his work is way more important than he, or anyone, thought. Imagine what happens when an accomplished ground warrior busts in from another time on a quiet family at the breakfast table…
Sci-Fi Saturday film: “Alone” at DUST. Space engineer Kaya Torres, the only survivor of a black hole, contacts an “interstellar penpal” to keep her company until she dies. She manages a desperate escape but then experiences one of the astonishing implications of time travel.
Sci-Fi Saturday film: “The Beacon” at DUST. Refreshingly realistic, especially the harrowing Arctic encounter where the grieving husband finds out what really happened. The dialogue is refreshingly realistic. Not to be missed is Mark’s encounter with the bureaucrat from hell.