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TagBrandon Sanderson

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Madness: Why Sci-Fi Multiverse Stories Often Feel Boring

In a multiverse, every plot development, however implausible, is permitted because we know it won’t affect our return to the expected climax

Filmmakers communicate with audiences using common and accepted story devices (tropes) that viewers identify with — maybe the “average person takes the crown” or “love triangle.” Some tropes are overused or used in ways that undermine the story. In discussing what I think went wrong with Dr. Strange in the Multiverse of Madness (2022) and some similar films, I’ll use the word trope to refer to any story element that is used to push the plot. I find four tropes particularly annoying: the Multiverse, Time Travel, the Liar Revealed, and the MacGuffin Chase. Because I’ve just finished reviewing Multiverse of Madness, let’s start with the Multiverse trope. Before reviewing the Dr. Strange sequel, I’d written an essay, “Dr. Strange: Can Read More ›

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Dr. Strange: Can the Multiverse Really Work as a Plot Device?

That’s a question Disney's Dr. Strange in the Multiverse of Madness begs us to ask — though but the screenwriters’ answer might be disturbing

Before reviewing the movie in detail, I wound up writing this little prelude regarding the problem with the multiverse plot device in general. It spilled onto the page before I could stop it but then other viewers might be asking some of these same questions. Disney, or as I like to refer to this hell-spawn of a company, the Mouse, is at it again. Where is the Pied Piper when you need him? There are many bad movies in the world, but very rarely does one deserve the term, cinematic abomination. The last time I used that loathsome title, I was watching Luke Skywalker suck green milk from an alien walrus. What is the common factor between The Last Jedi Read More ›