Incoherent cinematic messes are the result of having too many people involved in writing the story. There is no single, coherent vision.
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The problem with killing the major characters of a film off-screen is that it weakens the audience’s stake in the next installment.
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We begin to learn why the alien xenomorphs take varying amounts of time to develop inside a human body before they erupt and kill.
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One example of the way stupidity appears to drive the plot is that characters who should not trust David seem to do so, with disastrous results.
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Seeing that the robot is frighteningly apathetic toward the death of one of his crew, Oram demands answers from the faulty machine.
Read More ›What’s the point of Daniels being the screenwriters’ prophet if the character isn’t going to even try to take any sort of action to prevent a disaster?
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It’s exciting but the audience will likely notice the hands of the writers moving the pieces where they want them to go.
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