Du Sautoy’s fourth trait—“originality of a truly independent nature”—is a useful part of the definition of creativity. It is, however, the one trait that he admits is missing from AI’s “creative” attempts
Our surprise at AlphaGo’s move says more about our inability to predict what a program will do than about any creative effort of the program. We’ve known for decades that we cannot predict the results of any moderately complex computer program.
One of the factors contributing to fear of AI is the Frankenstein Complex.1 The term, coined by sci-fi writer Isaac Asimov2, originally described fear of the “mechanical man” in the science fiction of old. The complex is named for the young scientist, Dr. Victor Frankenstein, protagonist of Mary Shelley’s 1818 novel Frankenstein, or The Modern Prometheus. He stitches human body parts together to create a monster. There is no AI in the story; he brings the monster to life based on an intelligence that was assumed to be resident in biology. “Frankenstein’s monster” later came to be called simply “Frankenstein.” Thomas Edison first filmed the story as a silent movie in 1910 but Boris Karloff’s depiction of the monster in Read More ›
Looking for a good “robots, AI, ‘n sci-fi” fix to round out your weekend? Mind Matters has you covered for animations and shorts. For starters, check out DUST, a YouTube channel dedicated to short sci-fi. Its recent AI WEEK (February 11–18) offered “A collection of curated short films dedicated to artificial intelligence and its connection with humanity.” When I say “short,” I mean that the longest is about 30 min; the others are much shorter. So if you have just a few minutes to kill while downing a bowl of spicy curry ramen, I would recommend giving them a watch. For AI narratives, they’re not as clichéd as you might fear. Sunspring | DUST AI Week Runtime | 8:15 Cleanliness Read More ›
Although it doesn’t strictly feature AI, Alita invites us to ponder what it means to be human. Are we defined by a human brain? Or are there aspects of being human that are not solely associated with the brain?
In the game, Detroit has transcended its current economic despair, emerging as the epicenter of the android revolution. Cyberlife, headquartered there, has become the first company to engineer and produce fully autonomous, general purpose AI androids for consumers.
Rather than announce that human artists are now doomed, software engineer Ben Dixon interviewed a number of them and came away with a rather different picture, that “AI-generated art will improve, but artistic creativity will remain a human discipline.”
“AI rites reel gud!” Seriously, the idea is not new. Back in the 1940s, George Orwell (1903–1950) thought that a machine could write popular novels so long as no creative thinking was involved. Thus, in his 1984 police state world, one of the central characters has a job minding a machine that mass produces them. In the 1960s, some film experiments were done along these lines, using Westerns (cowboy stories). At the time, there were masses of formula-based film material to work with in this popular genre. But what does the product look and sound like? In 2016, Ars Technica was proud to sponsor “the first AI-written sci-fi script:” As explained in The Guardian, a recurrent neural network “was fed the Read More ›
An AI-generated film is not an altogether new idea. Rule-based expert systems were used to write short plays over a half century ago, in the early 1960's. Then, as now, don’t expect creativity. That is not what AI does.